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2008
Deserted (for clarinet, violin, piano) ------ first performance; Trio Haan; April 30, 2008; Seoul Arts Center Recital Hall, Korea
Embarking on a Journey at Sunset (for 4 kayageums); ----- first performance; Sagye (kayageum Ensemble); April 13, 2008; Old First Concerts; San Francisco
2007
Pia (piri and piano) ----- first performance; January 31, 2008; Chi-wan Park, piri & Thomas Schultz, piano; University of California, Santa Cruz
A Dream (sanjo kayageum and changgu) ----- first performance; December, 2007: Seoul, Korea
Andante (clarinet, violin, and piano) ----- first performance; August 26, 2007: sfSound; ODC Theater, San Francisco
Under the Sun (for Korean traditional orchestra) ----- first performance; October 16, 2007; National Orchestra of Korea; National Theatre, Korea
Heavy Sleep (soprano, alto flute, viola, guitar) ----- first performance; June 17, 2007: Continuum Consort; Seoul Arts Center
2006
Ten Thousand Ugly Ink Blots (for string quartet); first performance ------January 26, 2007: Ives String Quartet; Palo Alto
Chohanga 2 (for any solo melody instrument and one percussionist); first performance ------ May 22, 2006: The Barton Workshop; Bethanienklooster (Amsterdam)
Second Song of the Midnight Battlefield (clarinet, trombone, violin, viola, cello, double bass, piano, percussion, and a pansori singer) ----- first performance; October 18, 2006: The Barton Workshop; Bethanienklooster (Amsterdam)
Ninano (25 string kayageums) ----- first performance; September 27, 2006: Kyungki Kayageum Ensemble; Seong-nam ArtsCenter; Kyungki-do, Korea
Song of the Midnight Battlefield (alto flute and percussion) ----- first performance; October 18, 2006: The Barton Workshop; Bethanienklooster (Amsterdam)
All the Noises in the World (taegeum, piri, haegeum, kayageum, komungo, and changgo) ----- first performance; May 18, 2006: Korean Traditional Music Players - Jeong Ga Ak Hoe; San Francisco Asian Art Museum
2005
Li Po's Music (string orchestra, oboe, and piano solo) ----- first performance; March 12, 2006: San Jose Chamber Orchestra and Thomas Schultz; Le Petit Trianon; San Jose
Fly Away, Bird (guitar solo)
First Forgotten Sanjo (Korean traditional orchestra)
---- first performance; 2006: Seoul Traditional Orchestra
Kaethe Kollwitz (for orchestra of Korean traditional and western instruments with a pansori singer & a bass) ----- first performance; September 27, 2005; Jeonju Sori Festival (Korea)
Like the Wind in a Net (chamber orchestra) ----- first performance; September 3, 2005: Grace Philharmonic Orchestra; Sejong Hall
Fixed Stars (for string quartet) ----- first performance; October 1, 2005: Buam Arts Hall; Seoul, Korea
2004
arrangement of Jindo Arirang (for piri, shamisen, koto, and changgo) ----- first performance: Jung Il Moon, piri & Philip Flavin, shamisen & Shoko Hikage, koto & Hearan Chung, changgo; January 23, 2005: Old First Concerts, San Francisco
arrangement of Soran-bushi (for piri, shamisen, koto, and changgo) ----- first performance: Jung Il Moon, piri & Philip Flavin, shamisen & Shoko Hikage, koto & Hearan Chung, changgo; January 23, 2005: Old First Concerts, San Francisco
Chohanga (for piri solo) ----- first performance: Jung Il Moon, piri & Hearan Chung, dance; January 23, 2005: Old First Concerts, San Francisco
Song To Be Forgotten (for voice and piano)
Song of Disillusionment (for shamisen and koto/bass koto) ----- first performance: Philip Flavin and Shoko Hikage;
July 29, 2004: Asian Art Museum, San Francisco
This Rain (for viola and guitar) ----- first performance: Continuum Consort; August 18, 2004: Alix Goolden Hall at the Victoria Conservatory of Music; Victoria, British Columbia
Rain Muse (for 6 taegeums, 2 ajaengs, and 2 komungos) ----- first performance: Seoul Traditional Orchestra; June 7, 2004: Samchonggak; Seoul, Korea
Music to be Forgotten (for shamisen solo) ----- first performance: Philip Flavin; July 29, 2004: Asian Art Museum, San Francisco
2003
Walking, Walking (for piano solo) ----- first performance: Thomas Schultz, piano; May 15, 2004: Weill Recital Hall, Carnegie Hall, New York City
3 and Piano (shakuhachi, shamisen, koto, and piano) ----- first performance: Thomas Schultz (piano), Philip Flavin (shamisen), Philip Gelb (shakuhachi), Shoko Hikage (koto); November 7, 2003: Old First Concerts, San Francisco
Ocean/Shore 2 (clarinet, violin, viola, and cello) ----- first performance: Earplay; San Francisco International Arts Festival; September 8, 2003: Yerba Buena Center for the Arts; San Francisco
Tsvetaeva's Muse (taegeum, piri, male pansori singer, and percussion with saenghwang solo) ----- first performance: Hyang-hee Lee, saenghwang solo; November 19, 2003: Keumho Art Hall; Seoul, Korea
Listen While You Speak! (girls choir and piano) ----- first performance: Pueri Cantores; February 7, 2004: Taegu, Korea
Pleasures (girls choir and piano) ----- first performance: Pueri Cantores; February 7, 2004: Taegu, Korea
Regard for the Movement at the Source (haegeum and kayageum) ----- first performance: Eun-il Kang (haegeum) and Jiyoung Yi (kayageum); April 21, 2003: Buam Art Hall; Seoul, Korea
Cycle of Sixty (for string orchestra, two percussionists, and komungo solo) ----- first performance: San Jose Chamber Orchestra and Yoon Jung Hur; May 11, 2003: Le Petit Trianon in San Jose
Study War No More (for string orchestra) ----- first performance: San Jose Chamber Orchestra; May 11, 2003: Le Petit Trianon in San Jose
2002
Ocean/Shore (for chamber orchestra and piri solo) ----- first performance: Pacific Chamber Symphony and Chi-wan Park; January 16, 2003; Valley Community Church, Pleasanton, California
Sleeping Muse Study (piano solo) ----- first performance: Steven Cantor: November 10, 2002: The Flea Theater, NYC
A Woman Was Named (shamisen solo) ----- first performance; Satomi Fukami; October 13, 2002; Fukuoka Gendai Hogaku Festival, Japan
Fragmentary Study (traditional Korean orchestra and 25 string kayageum solo) ----- first performance: Seoul Traditional Orchestra: June 12, 2002; Se-jong Hall
Brancusi's Studio (flute/alto flute, oboe, clarinet, viola, cello, and two percussionists) ----- first performance: Music Now: May 6, 2002; Cal State, Sacramento
2001
Regard for the Movement at the Source (violin and kayageum) ----- first performance: May 12, 2006; Woo-kyung Art Center, KyewonJohyung Arts College (Korea)
Szymborska's Muse (taegeum and piri) ----- first performance: Chung-seung Kim and Chi-wan Park: April 19, 2002; Old First Concerts, San Francisco
Piano Study 3 (piano solo) ----- first performance: Susan Svrcek; March 26, 2002; Piano Spheres, Pasadena
Empty and Full (for five kayageums) ----- first performance: September, 2002; National Center for the Korean Traditional Performing Arts, Seoul, Korea
Akhmatova's Muse (flute, oboe, taegeum, piri, and 25 string kayageum) ----- first performance: Citywinds and Contemporary Music Ensemble Korea: April 19, 2002; Old First Concerts, San Francisco
Piano Study 2 (piano solo)-----first performance: Thomas Schultz; May 4, 2001; Schoenberg Center, Vienna
Map of the Way (string orchestra, two percussionists, and piano solo) ----- first performance: Philharmonia Gaudi Vienna and Thomas Schultz; May 8, 2001; House of Music in Vienna
Everything Changes (for choir, taegeum, piri, and piano) ----- first performance: Life and Dream Singers; November 8, 2001; Seoul Art Center
2000
Chung-Ji-Hyang (taegeum, piri/saenghwang, peopgeum)-----first performance: Asian Art Museum San Francisco; February 3, 2001
While Searching for the Way (traditional Korean orchestra)-----first performance: National Orchestra of the Korean Traditional Instruments; September 29, 2000, National Center for the Korean Traditional Performing Arts, Seoul, Korea
Upon Returning from Seok-gu-ram (kayageum solo)-----first performance: Jiyoung Yi; May, 2000, National Center for the Korean Traditional Performing Arts, Seoul, Korea
Blue Yellow River (kayageum, cello, double bass)-----first performance: Jiyoung Yi, Joan Jeanrenaud, Richard Worn; March 17, 2000, Other Minds Festival, San Francisco
1999
Wooden Fish (flute/piccolo, clarinet, alto saxophone, violin, cello, double bass, percussion)-----first performance: New Music Works Ensemble; March 12, 2000, University of California, Santa Cruz
The Wind Has No Destination (kayageum solo)------first performance: Eunah Kwak; November, 1999, National Center for the Korean Traditional Performing arts, Seoul, Korea
Rain Study (piano solo)-----first performance: Thomas Schultz; April, 1999, San Francisco Publisher: Yedang Press, 2000, Seoul
Song of the Beggars II (string quartet, a-jaeng, changgo, percussion)---first performance: Kronos Quartet, Sang-won Park, Donald Kim, Thomas Schultz, Hyo-shin Na; April, 1999, San Francisco
Chichangpulgong II (kayageum, taegeum, changgo, clarinet, viola, cello)---first performance: Contemporary Music Ensemble Korea; June, 1999, National Center for the Korean Traditional Performing Arts, Seoul, Korea
1998
Song of the Beggars (string quartet)-----first performance: Kronos Quartet; January, 1999, Tucson
Verse (harp solo)-----first performance: June Han; November, 1998, Herbst Theatre, San Francisco
Line of Breath (woodwind quintet)-----first performance: Citywinds; January, 1999, Berkeley
Dirge (violin, piano)-----first performance: Phillip Levy, Thomas Schultz; January, 1998, Stanford University Recording: Phillip Levy, Thomas Schultz; Seoul Records, 1998
1997
Chichangpulgong I (kayageum solo)-----first performance: November, 1997, Seoul
Piano study I (piano solo)-----first performance: Thomas Schultz; February, 1997, Stanford University Recording: Thomas Schultz, Seoul Records, 1998
Transcription (string quartet, percussion)-----first performance: San Francisco Contemporary Music Players; April, 1998, San Francisco Recording: San Francisco Contemporary Music Players, Seoul Records, 1998
1994
94.I (clarinet, piano)-----first performance: Chang-hee Lee, Kyung-ok Kim; November, 1994, Seoul
1990
Variations (piano solo)-----first performance: Thomas Schultz, 1990, Oakland. Recordings: Thomas Schultz, Seoul Records, 1998 Yuji Takahashi, Fontec; 1999 Publisher: Eumakiron Press; Seoul, Korea, 1991
1988
The Music (two pianos)---first performance: Thomas Schultz, Hyo-shin Na; February, 1988, Boulder
The Music (orchestra)-----first performance: The Women’s Philharmonic; 1990, San Francisco
The Music (viola, guitar)-----first performance: Douglas Hensley, John Casten; Oakland
1987
Lament (clarinet, bass clarinet, harp)-----first performance: University of Colorado New Music Ensemble; November, 1987, Boulder
November Mountain (clarinet, piano)-----first performance: Sandy Craddock, Thomas Schultz; November, 1987, Denver. Publisher: Red House Edition; Melbourne, Australia, 1995
1986
Coexistence (soprano, baritone, clarinet, harp, two pianos, percussion)-----first performance: University of Colorado New Music Ensemble, 1986, Boulder
1984
Poem of April (harp solo)-----first performance: Rana Park; Manhattan School of Music, 1985 recording: Rana Park, Seoul Records; 1998
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